October 2004

Trick Or Treat

Halloween is the time of year I catch up on horror movies I have yet to see or rewatch old favorites, since they are all handily available on any number of TV channels. One of the more interesting films I saw for the first time was The Omen. I didn’t really find it that scary, but I did think was fantastic in an artistic sense. My favorite moment was probably the closeup of the nanny’s face during her battle royale with the father; something about that rabid determination was much creepier than any of the deaths.

I didn’t see all of the second Omen movie, but I have to say that Damien’s reaction to his true identity was really well done. That kid had some decent acting chops. The third movie was just really horrific. With Damien as an adult, a lot of the power of the first two movies was gone, so they went for shock value instead. The modern-day King Herod slaughter of the children was especially disturbing. That is one of the interesting things about horror movies though… sometimes even the stupid ones can force you to confront the emotional impact of something (like the murder of many tiny babies) that you would normally compartmentalize away as numbers or a historical event or freak occurrence.

Overall, my favorite movie experience was rewatching Scream 2. Although I don’t care that much for the ending of the second one (at least the choice of murderers), the first two Scream movies do an excellent job of satirizing a genre while still being a strong entry into that genre. The opening sequence of Scream 2 is especially brilliant: a horror movie sequel starting in a movie theater showing a horror movie based on the events of the original horror movie. I could probably go on for a while about the great elements in that scene, but do yourself a favor and go watch it if you’ve never seen the movie.

Movies

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Fun With New Phrases

I’ve coined a new literary term, which I’m sure will someday be part of the basic English curriculum at fine educational institutions everywhere.

Plot Puke (n.): The final result of a book/movie/series/other written work building up a series of complex, fascinating, and utterly unresolved plot twists that cause the entire story to collapse on itself.

Read Or Dream was a series with a lot of potential, but the ending was a big pile of plot puke. The story just vomited all over itself with that Gentleman Project crap.”

Definitions

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Up Up And Away

My family had a little viewing of Superman: The Movie, which I hadn’t seen for a number of years. There were a number of things that were rather silly, like Kryptonian technology being powered by hula hoops and Marlon Brando looking like he is reading his lines at some points (which according to legend, he is.) And it’s especially odd seeing Brando get top billing, then Gene Hackman, THEN Christopher Reeves.

But what really struck me was the scene with the first appearance of Superman in Metropolis. It wasn’t anything especially spectacular: catching first Lois Lane and then a damaged helicopter as they fell off the roof of the Daily Planet. But the reaction of the crowd, first astonishment, then joy, was really quite beautiful in a very honest and innocent way. I’ve never really been a Superman fan, but I can’t deny there is a real power to the concept of that moment of realization.

I was shocked last week when I read that Reeve had passed away. When I was a kid, the earliest “grown-up” movie I remember seeing was Superman III, perhaps not the best movie experience, but very memorable, especially the Clark Kent/Superman fight in the junkyard. Like so many other people, Reeve was synonymous with Superman for me, and his riding accident and subsequent paralysis was shocking.

But Reeve showed he was a real hero, not only through his work promoting funding for research into reversing spinal cord damage, but his continued involvement with the film industry, which he clearly loved. His appearance as a scientist on Smallville, with hints of the classic John Williams theme worked into the score, was one of the most touching television moments I’ve ever seen.

I am sorry that Christopher Reeve was never able to walk again, like he wished. But maybe now, he’s flying, and flashing us that trademark smile on the way.

Movies
People

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Graphic Novel Review Issue 2

The second issue of Graphic Novel Review is out. I’m very excited to have my first In Depth Review published. It is on a little book called Egg Story, which I hope will garner some well-deserved readers from the review. A lot of other great reading in GNR as well, so be sure to check it out!

Comic Books
Publication

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Project Updates

The final revision of my stage play, Goodbye Dolly, is now complete and will be submitted to Baker’s Plays for publication on my next trip to the post office. It’s a little unnerving, because it is both the largest and the most deserving project I have submitted for publication to date. And I have to wait six to eight months to hear back.

I’ve finally gotten word from my thesis director that my screenplay, while well-written and already good enough to qualify me for graduation, is currently not a marketable sample of my work. I knew that to a certain extent, and was expecting to do a number of rewrites, but it still depresses me that I sat on it for over two months while I was waiting for feedback and wasn’t able to see what the problem was myself. It is currently too “tepid”, which is apparently going to be the word/comment that I get hung up on. Unless it’s “oatmeal”, which is my own choice for describing its current status.

Emerson
Playwriting
Publication
Screenwriting

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The Batman

The WB has been airing a brand new Batman animated series, aptly titled The Batman, done by an all-new creative team with new designs, voice actors, and a brand new continuity. I was excited to see a fresh take on the property, and so far I haven’t been disappointed.

Setup: The series takes place during year three of Batman’s career, with Bruce in his mid-twenties and not quite the stick-in-the-mud he’ll be later on in his life (in other words, he occasionally cracks a joke or smiles.) The public and the police are just becoming aware that The Batman really exists. The psychos are all starting to come out of the woodwork as well.

Art: The art style works well for the show. There are similarities to the Bruce Timm style, but it is closer in look to The Jackie Chan Adventures, as it is done by the same people. The movement is very fast and fluid and the character styles fairly angular. I’m still adjusting to seeing Bats with a pointed chin. Otherwise, Batman looks similar to the old animated series, though he’s really the only one that does. He does have what look like clawed gloves, as well as a longer cape, which they are doing some wonderful things with.

Voice: For having heard Batman voiced by the same actor (the wonderful Kevin Conroy) for over 10 years, I took to Rino Romano pretty fast. His Bruce Wayne voice is stronger and used more often than his gravely Batman voice, but he does have a good distinction between the two. The show hasn’t dealt with the Bruce/Bats dominant identity issue yet, but so far, it doesn’t seem that he necessarily considers Bruce to be just a persona.

There have been four episodes aired so far, each introducing a different villain:

The Bat In The Belfry: I thought it was interesting that they started with the heaviest hitter in the Rogues Gallery, the Joker. The character design is radically different from anything done before; Joker has spiky dreads, wears a straight jacket with the sleeves torn off, and no shoes. Kevin Michael Richardson does a great job with the voice, from very deep and creepy to Mark Hamill-style screeching. And it was good to see the Joker be a flat out raving lunatic. It seems sometimes the old animated series softened up that side of him. Interestingly, the Joker here is proficient at fighting, albeit he resembles a giant monkey when he does.

Also of note, it was revealed that one of the cops investigating Batman is an old (basketball?) friend of Bruce’s, and his female partner looks like a potential love interest for Bruce.

The Call Of The Cobblepot: I’ve never really liked the Penguin as a character, but at least they gave him something of a background: he’s from a wealthy family that Alfred’s uncle previously worked for that fell into poverty. Oswald also had an interesting pair of female ninjas in Kabuki masks he picked up in Asia and a rather dangerous beach ball-style of fighting. Alfred manages to almost get himself killed in the second episode.

Traction: I was disappointed when I heard that Bane was going to be in this series. He’s perhaps the most boring villain ever, character-wise. Luckily, other than a cool new character design, they pretty much left him alone to smash things and instead focused on the relationship between Alfred and Bruce, and the support the butler provides.

There was also a stunning visual sequence of young Bruce sitting in a police station, a too-big police cap covering his eyes, tears streaming down his face, sliding the remaining pearls on his mothers’ necklace along the string on by one, while faceless cops passed by. The brilliance of that moment made up for the blatant insertion of Bruce in a mecha batsuit clearly designed to be a part of the toy line.

The Cat And The Bat: I was waiting for the appearance of Catwoman before I formed a set opinion of the show, and I both really liked and disliked this episode. Catwoman had an interesting makeover with goggles pulled from the current comic book style, a cowlneck catsuit, and red accents on her gloves and boots. Her chemistry with Batman was fabulous, probably the best I’ve seen on the small screen. The best defining moment was when she had the chance to escape with the loot, and instead smashed it over the head of the thug attacking Batman. That always seems to be the decision that classifies where she stands, and I was surprised to see her pick Batman so early on.

On the other hand, Selina Kyle was a bit annoying. She used far too many cat puns, and Gina Gershon vamped it up too much. She spent what seemed like half the show trying to figure out how the remote on Batman’s utility belt worked (hee hee, she stole his belt) And they gave her blue eyes for some unknown reason. She pretty much looks like Aeon Flux with her hair down. She seems to be well off but has no background so far. Hopefully in a future episode, her and Bruce will meet without the masks.

Verdict: Overall, I’m really enjoying the show. There is some obvious toy marketing worked in, and the world is still being established, but it is a nice blend of old and new, and the people working on it seem to have an interest in making something more than just another thrown-together dumbed down kids show. I definitely recommend checking it out, and I can’t wait to see where it goes. The official website has screencaps from the first three episodes and a poor-quality version of the opening, for those interested.

Animation

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